Notebook

Short notes written after each film: what was measured, what broke, what we will do again. No client, no tool names.

One piece of music per style

How we write the brief for a series' original music, and why a social network's music library is not enough.

Three synced lines out of seventeen shots in the Hors-Jeu teaser, and nobody notices. The six-word rule, and how we write around it.

Why we never animate a character from a description, and what that changes in the way we produce.